Jodi Reeb in her studio
Jodi Reeb works in a co-op studio building that houses 23 artists, the Traffic Zone Center for Visual Art. “We own the building with Artspace Projects,” says Jodi, describing a partnership that was created 23 years ago when developers were buying historical buildings in Minneapolis and displacing renting artists. “I have been a member for 13 years, and it’s been an amazing experience to be part of such a talented group of artists. I also have the opportunity to coordinate the Traffic Zone Gallery in our lobby”.
The
TZCVA is housed in a restored six-story, Chicago-style limestone warehouse
located in the North Loop neighborhood. “The Traffic Zone building is of
significant historic and architectural interest and is listed on the National
Register of Historic Places," says Jodi. "It was built in 1886 as a warehouse for storing
farm machinery and implements and later converted to a Nabisco bakery. In 1992,
the warehouse was purchased by Artspace Projects and the artist co-op was created.
“I love the tall 14 foot high ceilings, hardwood floors and huge windows. I have 950 square feet that I've divided into two working spaces, one for encaustic painting and one for acrylic/mixed-media and sculpture, as well as gallery area where I can step back from my work.
Panoramic view of the studio
Studio entrance
“I
have spent studio days with other artists sharing information and have
taught workshops to others. I have also collaborated with Patrick Pryor to
create site-specific wall sculptures consisting of wire and nails. I received
an inquiry for a project based on my wire sculptures and it seemed natural to
collaborate with him to create large-scale works because of his engineering
background. We are also married and our studios are next to each other but
separate. We are both full-time artists and often give each other feedback
on our work.
Arial
view of workshop in progress.
“I
love layering processes of color and translucency. I have a printmaking
background and process and repetition has always been a part of my no matter
the medium I work in. This year was my proudest moment when I received the
Minnesota State Arts Board Grant to create a new body of mixed-media encaustic
paintings raising awareness about the affects on pollinators in Minnesota. I
had applied for 12 years previously and am so excited to have this
recognition.”
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